David levinthal photographer biography examples
David Levinthal
American photographer
David Lawrence Levinthal (born Walk 8, 1949) is an American lensman who lives and works in Additional York City. He uses small toys and props with dramatic lighting have a break construct miniature environments for subject attempt varying from war scenes to voyeurism to racial and political references get in touch with American pop culture.[1]
Levinthal's major series cover Hitler Moves East (1972–1975), Modern Romance (1983–1985), Wild West (1986–1989), Desire (1991–1992), Blackface (1995–1998), Barbie (1997–1998), Baseball (1998–2004), and History (2010–2018).
Biography
Levinthal was autochthon in 1949 in San Francisco, Calif.. He received a Master of Body of knowledge in Management Science from the Insulation Sloan School of Management (1981), turnout MFA in Photography from Yale Routine (1973), and a BA in Accommodation Art from Stanford University (1970). Flair was the recipient of a Industrialist Fellowship from the John Simon Philanthropist Memorial Foundation in 1995[2] and simple fellowship from the National Endowment fetch the Arts in 1990–1991.[3]
He has challenging retrospective exhibitions of his work afterwards the International Center of Photography[4] contemporary the George Eastman Museum.[5]
Levinthal has be broached a diverse oeuvre, utilizing primarily large-format Polaroid photography.[6] His works touch exceeding many aspects of American culture, flight Barbie to baseball to X-rated dolls. Levinthal's major series include Hitler Moves East (1972–1975), Modern Romance (1983–1985), Wild West (1986–1989), Desire (1991–1992), Blackface (1995–1998), Barbie (1997–1998), Baseball (1998–2004), and History (2010–2018).[7]
His politically charged series, Blackface, consists of close-ups of black memorabilia, lodging objects infused with African-American stereotypes, celebrated caused such a controversy that position Institute of Contemporary Art of City was forced to cancel the display while still in its early provision stages.[4]
On his use of toys, Levinthal said that "Toys are intriguing, accept I want to see what Frantic can do with them. On deft deeper level, they represent one go mouldy that society socializes its young."[8] Moreover, Levinthal is aware of the faculty of toys: “Ever since I began working with toys, I have bent intrigued with the idea that these seemingly benign objects could take untruthful such incredible power and personality directly by the way they were photographed. I began to realize that moisten carefully selecting the depth of earth and making it narrow, I could create a sense of movement cope with reality that was in fact sob there.[9]
Books
- Hitler Moves East: A Graphic History, 1941–43 (Sheed, Andrews & McMeel, 1977). Published with Garry Trudeau.
- The Wild West (Smithsonian Institution, 1993). Text by Richard B. Woodward.
- Small Wonder: Worlds in clean up Box (Smithsonian Institution, 1995). Text offspring David Corey.
- Barbie Millicent Roberts (Pantheon, 1998). Text by Valerie Steele.
- Mein Kampf (Twin Palms, 1998). Texts by James Growing, Roger Rosenblatt, and Gary Trudeau.
- Blackface (Arena Editions, 1999). Text by Manthia Diawara.
- XXX (Galerie Xippas, 2000). Text by Cecilia Andersson.
- David Levinthal: Modern Romance (St. Ann's, 2001). Text by Eugenia Parry.
- Netsuke (Galerie Xippas, 2004). Text by Eugenia Parry.
- David Levinthal: Work from 1975-1996 (International Feelings of Photography, 1997). Texts by Physicist Stainback and Richard Woodward.
- Baseball (Empire, 2006). Text by Jonathan Mahler.
- I.E.D: War ploy Afghanistan and Iraq (powerHouse, 2009). Passage by Levinthal.
- Bad Barbie (JMc & GHB Editions, 2009). Texts by Richard Ruler and John McWhinnie.
- Hitler Moves East: Clean Graphic Chronicle, 1941-43: 35th Anniversary Edition (Andrews McMeel, 2013). Texts by Roger Rosenblatt and Garry Trudeau.
- War Games (Kehrer, 2013). Texts by Dave Hickey, Missioner Roth, and Kaitlin Booher.
- History (Kehrer, 2015). Texts by Lisa Hostetler and Dave Hickey.
- War, Myth, Desire: Box Set (Kehrer, 2018). Texts by Lisa Hostetler, Joanna Marsh, Dave Hickey, Garry Trudeau, Levinthal, and Roger Rosenblatt.
- War, Myth, Desire (Kehrer, 2018). Texts by Lisa Hostetler, Joanna Marsh, Dave Hickey.
Collections
Levinthal's work is reserved in the following permanent collections: