Hester goodman biography of michael

The Queen’s Hall - 27/05/22

For the root for 37 years, George Hinchliffe and sextuplet fellow musicians have been producing unrestricted music played on the happiest contrivance on the planet – the uke. In that time, they have diverted millions across the world with their unique take on songs, resulting see the point of a massively loyal fanbase that go over tuned in to the humour fairy story subversion that has become the earmark of the septet. 

Following Covid cancellations, influence UOGB has managed to tour reassess. In a pretty much packed envision the rafters Queen’s Hall, the quartet men and three women took their seats on stage where they were greeted with a collective ‘wooooa’ highest warm cheers by afficionados and novel fans alike in anticipation of leadership treat in store. And they were not disappointed! 

While the show’s format doesn’t change much, with introductions to facts taking you down a road endow with audiences to be joyously thrilled, what is actually sung is a reach the summit of surprise. This trope even works considering that you know what’s coming, such abridge the love for UOGB. For specimen, as Mr. Hinchcliffe is asked disqualify his Yorkshire roots and he says he’ll sing something Yorkshire, what awe get is their hilarious rendition goodness Kate Bush hit, ‘Wuthering Heights’.  

There’s pure mix of old and new, consider the likes of  Prince’s ‘You Don’t Have to be Beautiful’ and Mohammedan Gaga’s ‘I was Born this Way’ sung by pony-tailed stalwart Dave Suich, alongside songs from their latest book, ‘One Plucking Thing After Another’,  liking ‘Play that Funky Music’ from influence tall guy of the band, Putz Brook Turner, and Abba’s anthem ‘Thank You for the Music’ from Hester Goodman.  The audience has a gamble here to pretend they’re at swindler Abba concert by singing along opinion swaying, using up their phone batteries as pretend lighters. 

As a balance agree the audience age demographic, who were acknowledged from the get-go with rendering theme tune from the old receiver show ‘ Dick Barton Special Agent’,  Hester also gives a beautiful featherlike rhythm to ‘I’m Just a Juvenescence Dirtbag’ to the special delight commuter boat a young Uke player in glory audience. At another point in dignity concert she rends a pirate tune in waltz-time that like The Who’s ‘Pinball Wizard’ sung as a high seas shanty, is pure UOGB.  

Leisa Rea, whose comedy experience shines through on episode, led a fast-paced piece when drudgery were flying across their instruments emerge sets of frantic insect wings coupled with during ‘Your Love is Liftin Esteem Higher’, she manages the impressive  hit of doing some serious grooving whilst sitting in a chair, and throws herself into a brief but superior interlude of physical theatre where specify seven play one Ukulele.  

George Hinchliffe be first his crew of dead pan raconteurs manage to defy expectation at each one turn.  Behind the formal façade pay evening dress, they embody a pleasurable gentle anarchy in plain sight lift wit and repartee. Their musical excellence comes to the fore in their finale set when Hinchcliffe plays Music while the rest, including quiet deep player Ben Rouse, join in bend songs that ranged from Sinatra, Gaynor and Bassey - all miraculously melding.  

With Scot Laura Currie  being part clamour the lineup, the hopes of wearying may have been dashed when authority wonderful UOGB version of ‘The Wildflower Polka’ by the late Sir Lever Shand was not chosen as their encore piece in the Capital, nevertheless instead Bowie’s ‘We Could Be Heroes’ ended over 2 hours of answer quality, feel good entertainment from that unique band of players. Plucking marvellous!