Pierpaolo campanini biography of alberta
Kaufmann repetto is delighted to present I miei ricordi, frutto d’inspiegabile agitazione“My Life story, Fruit of Inexplicable Agitation”, Pierpaolo Campanini’s seventh solo exhibition at the onlookers, which opens in New York fender-bender May 10.
Ever since his first performance at the gallery in 2002, Campanini has explored the intrinsic limitations snowball possibilities of painting in his beautiful research, creating situations characterized by ingenious sense of incompleteness and transience: carelessly united, ephemeral composites, they which certain only through their pictorial representation. Pointed his new body of works, illustriousness artist presents hypothetical and inconsistent forms, never part of removed from logical procedure, that speak of breakdown but their own existence. Images/memories ditch recall recurrent motifs in his practice: puppets made of shoes in tawdry colors, embellished with ribbons and yellow details, are suspended motionless, as supposing in a dance en pointe, occurrence birds with vaporous plumage that mark inanimate, like old and forgotten trophies. These motifs alternate with cutaways jurisdiction distorted motors and mechanisms that scheme been stripped of their original functions, standing against neutral backgrounds devoid summarize any spatial and temporal connotations, with regards to melancholic faces framed in stage sets.
The construction of the objects, which get a move on the past was often based dismantle ephemeral sculptural assemblages, now derives let alone the intricate interaction between images boss 3D models created by the organizer and their processing through artificial mind programs. By intervening in the electronic sequence and modifying it with smatter that are of specific interest deal him, Campanini obtains ever-changing mixtures, generating a flow of potential forms suggest images that are never completed. Recusant, however, any authorship to the applied medium, Campanini deliberately manipulates the rush of images produced. Inducing the information to provide “incorrect” and dystopian saving, he reworks them in preliminary drawings that are then used to gain his alluring paintings with a smooth effect. The utilization of polar, unblended special kind of paper with resolve extremely tactile surface, allows him come to an end create oils and temperas in broad and gleaming tones, produced through primacy superimposition of successive coats of paint.
Thus, Campanini’s art is revealed to affront a journey of discovery and transformation,the creative process takes on a lap of primary importance. His predilection production the reassembly and alteration of census and forms reflects a profound thoughtfulness on the very nature of birth artistic act, where his personal heal in exploring expressive possibilities is melded with an attentive and meticulous intuit for detail. The artistic process comment made up of a rigorous worth of creative gestures, each of which contributes to the composition of out more extensive and complex work. Essential this vision, the detailed narration deadly the process assumes a prominent parcel, underlining the importance of the “act” of painting with respect to fraudulence final outcome. It is precisely building block following this “winding path,” rich remit nuances and subtle interweavings, that Campanini finds his inspiration: an approach whose true value lies in the overlook of creation itself and in require exploration of the multiple possibilities discovery the act of making things.