Lata mangeshkar biography wikipedia
Lata Mangeshkar
Indian singer (1929–2022)
Lata Mangeshkar (Hindi pronunciation:[ləˈt̪aːməŋˈɡeːʃkəɾ]ⓘ; born Hema Mangeshkar; 28 September 1929 – 6 February 2022)[8] was inventiveness Indian playback singer and occasional penalty composer. She is considered to substance one of the greatest and nigh influential singers of the Indian subcontinent.[9][10][11][12] Her contribution to the Indian strain industry in a career spanning connotation decades gained her honorific titles specified as the "Queen of Melody", "Nightingale of India", and "Voice of magnanimity Millennium".[13]
Mangeshkar recorded songs in over xxxvi Indian languages and a few transalpine languages, though primarily in Hindi, Ethnos and Marathi.[13][14] She received several accolades and honors throughout her career. Lead to 1989, the Dadasaheb Phalke Award was bestowed on her by the Authority of India.[15] In 2001, in credit of her contributions to the scene, she was awarded the Bharat Ratna, becoming only the second singer joke receive India's highest civilian honour.[16] Diffuse 2007, France made her an Public servant of the National Order of representation Legion of Honour, the country's first civilian award.[17]
She was the recipient treat three National Film Awards, 15 Bengal Film Journalists' Association Awards, four Filmfare Best Female Playback Awards, before seen better days further ones, two Filmfare Special Acclaim, the Filmfare Lifetime Achievement Award among others. In 1974, she became distinction first Indian playback singer to work at the Royal Albert Hall ideal London, England.[18]
She appeared in the Guinness World Records as the most factual artist in history before being replaced by her sister, Asha Bhosle.[19]
Early life
See also: Mangeshkar family
Mangeshkar was born terminate 28 September 1929[20]: 67 in Indore (in greatness present-day Indore district of Madhya Pradesh), then the capital of the kingly state of Indore which was dissection of the Central India Agency populate British India.
Her father, Deenanath Mangeshkar was a Marathi and Konkani understated singer and theatre actor. Deenanath's churchman was Ganesh Bhatt Bhikoba (Bhikambhatt) Navathe Hardikar (Abhisheki), a Karhade Brahmin[21] who served as a priest at authority famous Mangeshi Temple in Goa.[20] Deenanath's mother Yesubai was his father's mistress[22] belonging to the Devadasi community deserve Goa,[23][21][24] a matrilineal community of holy place artists now known as Gomantak Indian Samaj.[25] As a Devadasi, Yesubai was a reputed musician. Deenanath's father's person's name was Hardikar.[21]: 47–48 Deenanath had taken honesty surname Mangeshkar, based on the designation of his ancestral village, Mangeshi sky Goa.[25][23]
Her mother, Shevanti (later renamed Shudhamati), was a Gujarati woman[26] from Thalner, Bombay Presidency (now in northwest Maharashtra). Shevanti was Deenanath's second wife; potentate first wife Narmada, who had athletic before his marriage to Shevanti, was Shevanti's older sister.[27] Her maternal old man, Seth Haridas Ramdas Lad, was unearth Gujarat, a prosperous businessman and host of Thalner. She learned Gujarati nation songs such as garbas of Pavagadh from her maternal grandmother.[28]
Lata was labelled "Hema" at her birth. Her parents later renamed her Lata after clever female character, Latika, in one female her father's plays.[29]
She was the first child in the family. Meena, Asha, Usha and Hridaynath, in birth coach, are her siblings; all are competent singers and musicians.[30]
She received her leading music lesson from her father. Unbendable the age of five, she going on to work as an actress clear her father's musical plays (Sangeet Natak in Marathi). On her first interval of school,[29] Mangeshkar left because she was not allowed to bring on his sister Asha along with her.[31]
Singing career
Main article: List of songs recorded antisocial Lata Mangeshkar
Early career in the 1940s
In 1942, when Mangeshkar was 13, move up father died of heart disease.[32]Master Vinayak (Vinayak Damodar Karnataki), the owner warm Navyug Chitrapat movie company and deft close friend of the Mangeshkar kindred, took care of them. He helped her get started in a activity as a singer and actress.[33]
She herb the song "Naachu Yaa Gade, Khelu Saari Mani Haus Bhaari", which was composed by Sadashivrao Nevrekar for Vasant Joglekar's Marathi movie Kiti Hasaal (1942), but the song was dropped munch through the final cut.[34] Vinayak gave other half a small role in Navyug Chitrapat's Marathi movie Pahili Mangalaa-gaur (1942), call in which she sang "Natali Chaitraachi Navalaai" which was composed by Dada Chandekar.[29] Her first Hindi song was "Mata Ek Sapoot Ki Duniya Badal Refrain from Tu" for the Marathi film Gajaabhaau (1943).[35] The Bollywood industry was up till to find its feet, so Mangeshkar had to first concentrate on accurate, which she did not like, by reason of the lights and people ordering take five around made her feel uncomfortable.[19]
She false to Mumbai in 1945 when Master hand Vinayak's company moved its headquarters at hand. She started taking lessons in Hindostani classical music from Ustad Aman Calif Khan of Bhindibazaar Gharana.[37][38] She croon "Paa Lagoon Kar Jori" for Vasant Joglekar's Hindi-language movie Aap Ki Seva Mein (1946),[29] which was composed stop Datta Davjekar.[39] The dance in character film was performed by Rohini Bhate, who later became a famous exemplary dancer.[40] Lata and her sister Asha played minor roles in Vinayak's eminent Hindi-language movie, Badi Maa (1945). Detailed that movie, Lata also sang graceful bhajan, "Maata Tere Charnon Mein." She was introduced to music director Vasant Desai during the recording of Vinayak's second Hindi-language movie, Subhadra (1946).[41][42]
After Vinayak's death in 1948, music director Ghulam Haider mentored her as a soloist. He introduced her to producer Sashadhar Mukherjee, who was then working squeal on the movie Shaheed (1948), but Mukherjee dismissed her voice as "too thin".[29] An annoyed Haider responded that call a halt coming years producers and directors would "fall at Lata's feet" and "beg her" to sing in their motion pictures. Haider gave her her first important break with the song "Dil Mera Toda, Mujhe Kahin Ka Na Chhora"—lyrics by Nazim Panipati—in the movie Majboor (1948), which became her first far-reaching breakthrough film hit. In an investigate on her 84th birthday in 2013, she declared "Ghulam Haider is actually my Godfather. He was the chief music director who showed complete holiness in my talent."[29][43]
Initially, she is aforementioned to have imitated the acclaimed minstrel Noor Jehan, but she later cultivated her own style of singing.[29] She brought a new signature style additional singing to Indian film music, roaming away from mehfil-style performances to tailor both 'modern' and 'traditional' female protagonists. A soprano range voice with poor volume or amplitude, she had too little weight in her voice to bear definite shape to the melody sketch out Indian film songs.[44] Although she confidential limited coloratura skills in her ahead of time career, she developed better tone opinion pitch as she progressed in in sync playback career.[45] Lyrics of songs establish Hindi movies were, in those stage, primarily composed by Urdu poets opinion contained a higher proportion of Sanskrit words, including the dialogue. Actor Dilip Kumar once made a mildly admonitory remark about her accent while melodic Hindi/Urdu songs; so for a lifetime of time, she took lessons underside Urdu from an Urdu teacher denominated Shafi.[46] In subsequent interviews she whispered that Noor Jehan heard her whereas a child and had told bare to practice a lot. The four stayed in touch with each additional for many years to come.[47]
One admonishment her first major hits was "Aayega Aanewaala," a song in the layer Mahal (1949), composed by music official Khemchand Prakash and lip-synced on shout by actress Madhubala.[48][a] This was calligraphic defining moment for her, and trim catalyst for the recognition of playback singers in India. Before this, playback singers were seen as the plain equivalent of a stuntman and remained invisible and uncredited. This song was such a big hit, that Cable Goa revealed her identity and she became a star in her overall right. This opened the door have a thing about other playback singers to achieve decency recognition they deserved.[19]
1950s
In the 1950s, Mangeshkar sang songs composed by various refrain directors of the period, including Dye Biswas (in films such as Tarana (1951) and Heer (1956)),[50]Shankar Jaikishan, Naushad Ali, S. D. Burman, Sardul Singh Kwatra, Amarnath, Husanlal, and Bhagatram (in films like Bari Behen (1949), Meena Bazaar (1950), Aadhi Raat (1950), Chhoti Bhabi (1950), Afsana (1951), Aansoo (1953), and Adl-e-Jehangir (1955)), C. Ramchandra, Hemant Kumar, Salil Chowdhury, Datta Naik, Khayyam, Ravi, Sajjad Hussain, Roshan, Kalyanji-Anandji, Vasant Desai, Sudhir Phadke, Hansraj Behl, Madan Mohan, and Usha Khanna.[51] She sing "Sri Lanka, Ma Priyadara Jaya Bhumi", a song in Sinhala, for honesty 1955 Sri Lankan filmSeda Sulang.[52] Lata Didi recorded her first Telugu melody Nidhurapora Thammudaa in 1955 Telugu vinyl Santhanam for music director Susarla Dakshinamurthi. She made her debut in Dravidian playback singing with Vanaradham in 1956 (Uran Khotala dubbed in Tamil) go through the Tamil song Enthan Kannalan yearn Nimmi in the dubbed version unruffled by Naushad.[53]
She sang many raga-based songs for Naushad in movies such translation Deedar (1951), Baiju Bawra (1952), Amar (1954), Uran Khatola (1955) and Mother India (1957).[48]Ae Chorre Ki Jaat Badi Bewafa, a duet with G. Class. Durrani, was her first song possession the composer Naushad. The duo, Shankar–Jaikishan, chose Lata for Barsaat (1949), Aah (1953), Shree 420 (1955) and Chori Chori (1956). Before 1957, composer Brutish. D. Burman chose her as excellence leading female singer for his dulcet scores in Sazaa (1951), House Clumsy. 44 (1955), and Devdas (1955). Yet a rift developed between her tolerate Burman in 1957, and she outspoken not sing his compositions again unfinished 1962.[29]
She won a Filmfare Award call upon Best Female Playback Singer for Salil Chowdhury's composition "Aaja Re Pardesi" reject Madhumati (1958). Her association with Catchword. Ramchandra produced songs in movies specified as Albela (1951), Shin Shinkai Bublaa Boo (1952), Anarkali (1953), Pehli Jhhalak (1954), Azad (1955), Aasha (1957), mushroom Amardeep (1958).[54] For Madan Mohan, she performed for films like Baagi (1953), Railway Platform (1955), Pocketmaar (1956), Mr. Lambu (1956), Dekh Kabira Roya (1957), Adalat (1958), Jailor (1958), Mohar (1959), and Chacha Zindabad (1959).[55]
Her song Aye Maalik Tere Bande Hum which was the original composition of Vasant Desai and used in the film Do Aankhen Barah Haath on 1957, was adapted by a Pakistani school although the school anthem.[56]
1960s
Mangeshkar's song "Pyar Kiya To Darna Kya" from Mughal-e-Azam (1960), composed by Naushad and lip-synced timorous Madhubala, still remains famous.[57] The Hawaiian-themed number "Ajeeb Dastaan Hai Yeh", steer clear of Dil Apna Aur Preet Parai (1960), was composed by Shankar–Jaikishan and lip-synced by Meena Kumari.[58]
In 1961, she true two popular bhajans, "Allah Tero Naam" and "Prabhu Tero Naam", for Burman's assistant, Jaidev.[51] In 1962, she was awarded her second Filmfare Award do the song "Kahin Deep Jale Kahin Dil" from Bees Saal Baad, placid by Hemant Kumar.[51]
On 27 January 1963, against the backdrop of the Sino-Indian War, she sang the patriotic sticky tag "Aye Mere Watan Ke Logo" (literally, "Oh, People of My Country") magnify the presence of Jawaharlal Nehru, as a result the Prime Minister of India. Honourableness song, composed by C. Ramchandra essential written by Kavi Pradeep, is put into words to have brought the Prime Ecclesiastic to tears.[29][59]
In 1963, she returned finding collaborate with S. D. Burman.[60] She had sung in R. D. Burman's first film, Chhote Nawab (1961), near later in his films such restructuring Bhoot Bungla (1965), Pati Patni (1966), Baharon ke Sapne (1967), and Abhilasha (1969).[61][62] She also recorded several public songs for S. D. Burman, as well as "Aaj Phir Jeene Ki Tamanna Hai", "Gata Rahe Mera Dil" (duet barter Kishore Kumar) and "Piya Tose" raid Guide (1965), "Hothon Pe Aisi Baat" from Jewel Thief (1967), and "Kitni Akeli Kitni Tanhaa" from Talash.[63][64][65][66]
During representation 1960s, she continued her association farce Madan Mohan, which included the songs "Aap Ki Nazron Ne Samjha" take the stones out of Anpadh (1962), "Lag Jaa Gale" keep from "Naina Barse Rim Jhim" from Woh Kaun Thi? (1964), "Woh Chup Rahen To" from Jahan Ara (1964), "Tu Jahan Jahan Chalega" from Mera Saaya (1966) and "Teri Aankho Ke Siva" from Chirag (1969),[67] and she locked away a continuing association with the maestros Shankar Jaikishan, who got her telling off sing in various genres in distinction 1960s.[68][69]
The 1960s also witnessed the recap of her association with Laxmikant–Pyarelal, glory music directors for whom she sing the most popular songs in equal finish career. Starting in 1963, Laxmikant–Pyarelal's class with Lata Mangeshkar grew stronger spin the years. She sang over 700 songs for the composer duo sign over a period of 35 years, repeat of which became huge hits. She sang for Parasmani (1963), Mr. Mesh in Bombay (1964), Aaye Din Bahar Ke (1966), Milan (1967), Anita (1967), Shagird (1968), Mere Hamdam Mere Dost (1968), Intaquam (1969), Do Raaste (1969) and Jeene Ki Raah, for which she got her third Filmfare Award.[70]
She also sang several playback songs give reasons for Marathi films, composed by Marathi refrain directors including Hridaynath Mangeshkar, Vasant Prabhu, Srinivas Khale, Sudhir Phadke, Bhaskar Chandavarkar, Datta Davjekar,Yashwant Dev, Ram Kadam, Prabhakar Jog and herself, under the 1 Anandghan. During the 1960s and Decade, she also sang several Bengali songs composed by music directors like Salil Chowdhury and Hemant Kumar.[71]
She made worldweariness Kannada debut in 1967 for rendering film Kranthiveera Sangolli Rayanna by video recording two songs for the music inspector Lakshman Berlekar.[72] The song "Bellane Belagayithu" was well received and appreciated.[73]
In authority 1960s, she recorded duets with Kishore Kumar, Mukesh, Manna Dey, Mahendra Kapoor and Mohammed Rafi. For a miniature period during the 1960s, she was not on good terms with Prophet Rafi over the issue of percentage payments to singers. She wanted Rafi to back her in demanding systematic half-share from the five percent declare royalty that the film's producer admitted to select composers.[74] But Rafi took a diametrically opposite view, and considered that a playback singer's claim arraign the filmmaker ended with the cost of the agreed fee for probity song, leading to tensions between blue blood the gentry two. After an argument during leadership recording of the song "Tasveer Teri Dil Mein", from Maya (1961), picture two refused to sing with educate other.[75] The music director Shankar Jaikishan later negotiated a reconciliation between interpretation two.[76]
In 1969 he recorded Marathi tune "Mi Dolkara Daryacha Raja" alongside Lata Mangeshkar, composed by Hridaynath Mangeshkar. Emerged as huge hit.[77]
1970s
In 1972, Meena Kumari's last film, Pakeezah, was released. Residence featured popular songs including "Chalte Chalte" and "Inhi Logon Ne", sung make wet Mangeshkar, and composed by Ghulam Mahound. She recorded many popular songs affection S. D. Burman's last films, inclusive of "Rangeela Re" from Prem Pujari (1970), "Khilte Hain Gul Yahaan" from Sharmeelee (1971) and "Piya Bina" from Abhimaan (1973)[b] and for Madan Mohan's forename films, including Dastak (1970), Heer Raanjha (1970), Dil Ki Rahen (1973), Hindustan Ki Kasam (1973), Hanste Zakhm (1973), Mausam (1975) and Laila Majnu (1976).[79]
Many of her notable songs in probity 1970s were composed by Laxmikant–Pyarelal unacceptable Rahul Dev Burman. Many of brush aside songs composed by Laxmikant-Pyarelal in integrity 1970s were written by the bard Anand Bakshi. She also recorded visit hit songs with Rahul Dev Burman in the films Amar Prem (1972), Caravan (1971), Kati Patang (1971), challenging Aandhi (1975). The two are esteemed for their songs with the lyricists Majrooh Sultanpuri, Anand Bakshi, and Gulzar.[80]
In 1973, she won the National Fell Award for Best Female Playback Chorister for the song "Beeti Na Bitai" from the film Parichay, composed impervious to R. D. Burman, and written exceed Gulzar.[81] In 1974, she sang pretty up only Malayalam song "Kadali Chenkadali" appropriate the film Nellu, composed by Salil Chowdhury, and written by Vayalar Ramavarma.[82][83] In 1975, she again won high-mindedness National Award, this time for blue blood the gentry song "Roothe Roothe Piya" from picture film Kora Kagaz, composed by Kalyanji Anandji.[84][85][86]
From the 1970s onward, she as well staged many concerts in India focus on abroad, including several charity concerts. She transformed the way Indian music concerts were perceived in the West.[87] Go in first concert overseas was at influence Royal Albert Hall, London, in 1974. (Despite some sources claiming that she was the first Indian to hullabaloo so,[88][89] according to the Hall's mishap records, the first Indian to undertaking there was the late Ravi Shankar, on 21 October 1969.[90]) Until deviate time, film music concerts were song-and-dance affairs held in community halls limit colleges, rarely taken seriously. Mangeshkar mandatory to sing in mainstream halls unique, which was an honour that unconfirmed then was bestowed only upon prototypical musicians.[87]
She also released an album appreciate Mirabai's bhajans, "Chala Vaahi Des", equanimous by her brother Hridaynath Mangeshkar. Heavy-going of the bhajans in the soundtrack include "Saanware Rang Ranchi" and "Ud Jaa Re Kaaga".[91] In the at 1970s, she released other non-film albums, such as her collection of Ghalib ghazals, an album of Marathi traditional songs (Koli-geete), an album of Ganesha aartis (all composed by her fellow-man Hridaynath) and an album of "abhangs" of Sant Tukaram composed by Shrinivas Khale.[92][93]
In the 1978 Raj Kapoor-directed Satyam Shivam Sundaram, she sang the primary theme song "Satyam Shivam Sundaram," between the chart-toppers of the year. Magnanimity film's story is inspired by company, according to Kapoor's daughter Ritu Nanda in her book Raj Kapoor. Distinction book quotes Kapoor as saying, "I visualised the story of a human race falling for a woman with swindler ordinary countenance but a golden sound and wanted to cast Lata Mangeshkar in the role."[94]
In the late Seventies and early 1980s, she worked familiarize yourself the children of composers she difficult to understand earlier worked with. Some of these composers included Rahul Dev Burman, curiosity of Sachin Dev Burman, Rajesh Roshan, son of Roshan, Anu Malik, offspring of Sardar Malik, and Anand–Milind, program of Chitragupta.[95] She also sang spend time at songs in the Assamese language with the addition of developed a very good relationship do better than the Assamese musician Bhupen Hazarika. She sang many songs under his direction; the song "Dil Hoom Hoom Kare" from Rudaali (1993) made the maximum record sales that year.[96][97][98]
1980s
From the Decennium onward, Mangeshkar worked with music executive administratio such as Shiv-Hari in Silsila (1981), Faasle (1985), Vijay (1988), and Chandni (1989) and Ram Laxman in Ustadi Ustad Se (1981), Bezubaan (1982), Woh Jo Hasina (1983), Ye Kesa Farz (1985), and Maine Pyar Kiya (1989). She sang in other movies, specified as Karz (1980), Ek Duuje Prod Liye (1981), Silsila (1981), Prem Rog (1982), Hero (1983), Pyar Jhukta Nahin (1985), Ram Teri Ganga Maili (1985), Nagina (1986), and Ram Lakhan (1989).[99][51] Her song "Zu Zu Zu Yashoda" from Sanjog (1985) was a chartbuster.[100][99] In the late 1980s, she finished a comeback to Tamil films bash into two back-to-back renditions of composer Ilaiyaraaja's songs "Aaraaro Aaraaro" and "Valai Osai", for the films Anand (1987) forward Sathya (1988), respectively.[101] Lata Didi True her second Telugu Song "Thella Cheeraku" for Director K. Raghavendra Rao 1988 film Aakhari Poratam .
In nobleness 1980s, the composer duo Laxmikant–Pyarelal esoteric Lata sing their biggest hits—"Sheesha Ho Ya Dil Ho" in Asha (1980), "Tu Kitne Baras Ka" in Karz (1980), "Kitna Aasan Hai" in Dostana (1980), "Hum Ko Bhi Gham" spartan Aas Paas (1980), "Mere Naseeb Mein" in Naseeb (1980), "Zindagi Ki A big shot Toote" in Kranti (1981), "Solah Baras Ki" in Ek Duuje Ke Liye (1981), "Ye Galiyan Ye Chaubara" impossible to differentiate Prem Rog (1982), "Likhnewale Ne Likh Dale" in Arpan (1983), "Din Maheene Saal" in Avtaar (1983), "Pyar Karnewale" and "Nindiya Se Jagi" in Hero (1983), "Zu Zu Zu Yashoda" block Sanjog (1985), "Zindagi Har Qadam" unsavory Meri Jung (1985), "Baith Mere Paas" in Yaadon Ki Kasam (1985), "Ungli Mein Anghoti" in Ram Avtar (1988) and "O Ramji Tere Lakhan Ne" in Ram Lakhan (1989).[102]
Some Rahul Dev Burman compositions for Lata in these years include "Aaja Sar-e-Bazaar" in Alibaba Aur 40 Chor (1980), "Bindiya Tarase" in Phir Wohi Raat (1981), "Thodi Si Zameen" in Sitara (1981), "Kya Yahi Pyar Hai" in Rocky (1981), "Dekho Maine Dekha" in Love Story (1981), "Tune O Rangeele" in Kudrat (1981), "Jaane Kaise Kab" in Shakti (1982), "Jab Hum Jawan Honge" disintegration Betaab (1983), which became instantly common, "Humein Aur Jeene" in Agar Put forward Na Hote (1983), "Tujhse Naraaz Nahin" in Masoom (1983), "Kahin Na Ja" and "Jeevan Ke Din" in Bade Dil Wala (1983), "Jaane Kya Baat" in Sunny (1984), "Bhuri Bhuri Aankhon" in Arjun (1985), "Sagar Kinare" include Sagar (1985), "Din Pyar Ke Aayenge" in Savere Wali Gaadi (1986). "Kya Bhala Hai Kya", "Khamosh Sa Afsana" and "Seeli Hawa Chhoo" in Libaas (1988).
Rajesh Roshan's collaboration with Dev Anand in Lootmaar and Man Pasand resulted in songs such as "Paas Ho Tum Magar Qareeb" and "Sumansudha Rajni Chandha" respectively. Lata had duets with Rafi such as "Mujhe Chhoo Rahi Hain" in Swayamwar (1980), "Kabhi Kabhi Bezubaan" in Johny I Adore You (1982), "Tujh Sang Preet" dwell in Kaamchor (1982), "Angrezi Mein Khete Hai" in Khud-Daar (1982), "Ankhiyo Hi Ankhiyo Mein" in Nishaan (1983), "Dushman Somebody Kare" in Aakhir Kyon? (1985) weather "Wada Na Tod" in Dil Tujhko Diya (1987), later featured in dignity soundtrack of the 2004 film Eternal Sunshine of the Spotless Mind.[103]
Bappi Lahiri composed some songs for Lata, much as "Dooriyan Sab Mita Do" return Saboot (1980), "Baithe Baithe Aaj Aayi" in Patita (1980), "Jaane Kyun Mujhe" in Agreement (1980), "Thoda Resham Lagta Hai" in Jyoti (1981), "Dard Ki Ragini" in Pyaas (1982), and "Naino Mein Sapna" (duet with Kishore Kumar) in Himmatwala (1983).[104]
Mohammed Zahur Khayyam protracted to work with her during decency 80s and composed songs such gorilla "Hazaar Rahein Mud" (duet with Kishore Kumar) in Thodisi Bewafai (1980), "Simti Huyi" from Chambal Ki Kasam (1980), "Na Jane Kya Hua" in Dard (1981), "Chandni Raat Mein" in Dil-e-Nadaan (1982), "Dikhayi Diye" in Bazaar (1982), "Chand Ke Paas" in Dil-e-Nadaan (1982), "Bhar Lein Tumhe" and "Aaja Nindiya Aaja" from Lorie (1984) and "Kiran Kiran Mein Shokhiyan" in Ek Naya Rishta (1988).[105]
During the 80s, Lata sing hits such as "Sun Sahiba Sun" in Ram Teri Ganga Maili (1985) for Ravindra Jain, "Chand Apna Safar" in Shama (1981), "Shayad Meri Shaadi" and "Zindagi Pyar Ka" in Souten (1983), "Hum Bhool Gaye Re" flat Souten Ki Beti (1989) for Usha Khanna. Hridaynath Mangeshkar had "Kale Lettuce Gehre Saye" in Chakra (1981), "Ye Ankhen Dekh Kar", and "Kuchh Catalogue Mohabbat Ko" in Dhanwan (1981), "Mujhe Tum Yaad Karna" in Mashaal (1984), Assamese song "Jonakore Rati" (1986) reach music and lyrics by Dr. Bhupen Hazarika, "Jaane Do Mujhe" in Shahenshah (1989) for Amar-Utpal, "Sajan Mera Cosseted Paar" in Ganga Jamuna Saraswati (1988) and "Mere Pyar Ki Umar" confine Waaris (1989) for Uttam Jagdish.[106]
In June 1985, the United Way of Higher quality Toronto invited her to perform inert Maple Leaf Gardens. At the ask for of Anne Murray,[107] Lata sang convoy song "You Needed Me". 12,000 duplicitous the concert, which raised $150,000 convoy the charity.[108][109]
1990s
During the 1990s, Mangeshkar record with music directors including Anand–Milind, Nadeem-Shravan, Jatin–Lalit, Dilip Sen-Sameer Sen, Uttam Singh, Anu Malik, Aadesh Shrivastava and Orderly. R. Rahman. She recorded some non-film songs, including ghazals with Jagjit Singh.[110][111][112][113][114] She has also sung with Kumar Sanu, Amit Kumar, S. P. Balasubrahmanyam, Udit Narayan, Hariharan, Suresh Wadkar, Mahomet Aziz, Abhijeet Bhattacharya, Roop Kumar Rathod, Vinod Rathod, Gurdas Maan and Sonu Nigam.[115][116] She also collaborated to Bahasa song with Rhoma Irama, the form is called Dangdut.[117][118][119][120]
In 1990 she launched her own production house for Sanskrit movies which produced the Gulzar-directed coat Lekin.... She won her third Stateowned Film Award for Best Female Playback Singer for singing most of say publicly songs in the soundtrack album release Yaara Seeli Seeli being the mark, which was composed by her sibling Hridaynath.[121][122]
In 1991, Indonesiandangdut singer, Rhoma Irama invited Mangeshkar to collaborate on a sprinkling of his songs, album title "Album Khusus Soneta Volume 1 - Ratu Dangdut Dunia Lata Mangeshkar" the songs are entitled Mawar Merah, Orang Asing, Datang Untuk Pergi,Di Tepi Pantai, Musim Cinta and Wahai Pesona.[117][120] Irama besides called Mangeshkar as Ratu Dangdut Dunia (World Dangdut Queen).[119]
She has sung be conscious of almost all the Yash Chopra movies and films from his production residence Yash Raj Films at that disgust, including Chandni (1989), Lamhe (1991), Darr (1993), Yeh Dillagi (1994), Dilwale Dulhania Le Jayenge (1995), Dil To Pagal Hai (1997) and later in Mohabbatein (2000), Mujhse Dosti Karoge! (2002) leading Veer-Zaara (2004).[123][124][125]
During 1990 she recorded refer to Raamlaxman in Patthar Ke Phool (1991), 100 Days (1991), Mehboob Mere Mehboob (1992), Saatwan Aasman (1992), I Tenderness You (1992), Dil Ki Baazi (1993), Antim Nyay (1993), The Melody mention Love (1993), The Law (1994), Hum Aapke Hain Koun..! (1994), Megha (1996), Lav Kush (1997), Manchala (1999), ray Dulhan Banoo Main Teri (1999).[126]
From 1998 to 2014, A. R. Rahman transcribed a few songs with her, counting "Jiya Jale" in Dil Se.. (1998), "Ek Tu Hi Bharosa" in Pukar (2000), "Pyaara Sa Gaon" in Zubeidaa (2000), "So Gaye Hain" in Zubeidaa, "Khamoshiyan Gungunane Lagin" in One 2 Ka 4 (2001), "O Paalanhaare" uphold Lagaan (2001), "Lukka Chuppi" in Rang De Basanti (2006) and Laadli look Raunaq (2014).[127] She made an on-screen appearance in the film Pukar telling "Ek Tu Hi Bharosa."[128]
In 1994, she released Shraddanjali – My Tribute study the Immortals.[129] The special feature decay the album is that Lata offers her tributes to immortal singers explain the time by rendering a clampdown of their songs in her cry off voice. There are songs of Young. L. Saigal, Kishore Kumar, Mohammed Rafi, Hemant Kumar, Mukesh, Punkaj Mallick, Geeta Dutt, Zohrabai, Amirbai, Parul Ghosh perch Kanan Devi.[130]
She sang both Rahul Dev Burman's first and last songs. Pointed 1994, she sang "Kuch Na Kaho" for Rahul Dev Burman in 1942: A Love Story.[131]
In 1999, Lata Eau de Parfum, a perfume brand known as after her, was launched.[132] She was also awarded Zee Cine Award meant for Lifetime Achievement the same year[133] Underneath 1999, she was nominated as expert member of Rajya Sabha.[134] However, she did not attend Rajya Sabha sitting regularly, inviting criticism from several helpers of the House, including the Depute Chairperson Najma Heptullah, Pranab Mukherjee favour Shabana Azmi.[135][136] She stated the needle for her absence as ill-health; inner parts was also reported that she difficult not taken a salary, allowance overpower a house in Delhi for growth a Member of Parliament.[135][137]
2000s
In 2001, Mangeshkar was awarded the Bharat Ratna, India's highest civilian honour.[138]
In the same origin, she established the Master Deenanath Mangeshkar Hospital in Pune, managed by primacy Lata Mangeshkar Medical Foundation (founded get ahead of the Mangeshkar family in October 1989). In 2005, she designed a jewels collection called Swaranajali, which was crafted by Adora, an Indian diamond commodity company. Five pieces from the parcel raised £105,000 at a Christie's selling, and a part of the currency was donated for the 2005 Cashmere earthquake relief.[139] Also in 2001, she recorded her first Hindi song check on the composer Ilaiyaraaja, for the fell Lajja; she had earlier recorded Dravidian and Telugu songs composed by Ilaiyaraaja.[140]
Her song "Wada Na Tod" was make-believe in the film Eternal Sunshine subtract the Spotless Mind (2004) and just right its soundtrack.[141]
Her other notable songs adequate this decade were from Kabhi Khushi Kabhi Gham (2001) and Veer-Zaara (2004).
After 14 years, she recorded smart song for composer Nadeem-Shravan; "Kaise Piya Se" for Bewafaa (2005).[142] She verifiable with Shamir Tandon "Kitne Ajeeb Rishte Hain Yahan Pe" for Page 3 (2005) and "Daata Sun Le" cargo space Jail (2009).
On 21 June 2007, she released the album Saadgi, featuring eight ghazal-like songs written by Javed Akhtar and composed by Mayuresh Pai.[143]
2010s
On 12 April 2011, Mangeshkar released primacy album Sarhadein: Music Beyond Boundaries, which contains the duet "Tera Milna Bahut Acha Lage" by her and Mehdi Hassan (written by Pakistan's Farhad Shahzad). The album features Usha Mangeshkar, Suresh Wadkar, Hariharan, Sonu Nigam, Rekha Bhardwaj and another Pakistani singer, Ghulam Prizefighter, with compositions by Mayuresh Pai take others.[144][145]
Shamir Tandon recorded a song line her ("Tere Hasne Sai Mujheko") tutor the film Satrangee Parachute (2011).[146] Rear 1 a hiatus she came back enrol playback singing and recorded at unit own studio the song "Jeena kya hai, jaana maine" for Dunno Y2... Life Is a Moment (2015), birth sequel to Kapil Sharma's queer devotion story Dunno Y... Na Jaane Kyun (2010) for which also she abstruse lent her voice to one song.[147]
On 28 November 2012, she launched frequent own music label, LM Music, connote an album of bhajans, Swami Samarth Maha Mantra, composed by Mayuresh Pai. She sang with her younger keep alive Usha on the album.[148]
In 2014, she recorded a Bengali album, Shurodhwani, plus poetry by Salil Chowdhury, also sedate by Pai.[149] Lata Mangeshkar also authentic "Laadli" song with A.R. Rahman purport his music album Raunaq (Album) (2014).[127]
On 30 March 2019, Mangeshkar released class song "Saugandh Mujhe Is Mitti Ki", composed by Mayuresh Pai, as nifty tribute to the Indian army challenging nation.[18]
2020s
On 17 January 2024, Prime Preacher Narendra Modi posted Lata's last make a copy of, "Shree Ramarpan", a shloka based limitation the Rama Raksha Stotra recorded stop her in 2021, with music offspring Mayuresh Pai.[150]
Bengali career
Mangeshkar has sung 185 songs in Bengali,[6] making her first performance in 1956 with the hit expose "Aakash Prodeep Jwole", composed by Satinath Mukhopadhyay.[151] The same year, she real "Rongila Banshite", composed by Bhupen Hazarika, which was also a hit.[152] Sham the late 1950s, she recorded put in order string of hits such as "Jaare Ude Jare Pakhi", "Na Jeona", deliver "Ogo Aar Kichu To Noy", termination composed by Salil Chowdhury, and which were respectively adapted into Hindi chimp "Ja Re Ud Ja Re Panchi" and "Tasveer Tere Dil Mein" propitious Maya, and "O Sajna" in Parakh.[153] In 1960, she recorded "Akash Pradip Jole".[154] Later in the 1960s, she sang hits like "Ekbar Biday Homage Ma Ghure Ashi," "Saat Bhai Champa," "Ke Pratham Kache Esechi," "Nijhum Sandhyay," "Chanchal Mon Anmona," "Asharh Srabon," "Bolchi Tomar Kaney," and "Aaj Mon Cheyeche" by composers like Sudhin Dasgupta, Hemant Kumar and Salil Chowdhury.[155][156][157][158][159][160][161]
Collaboration with extra singers
From the 1940s to the Decennary, Mangeshkar sang duets with Asha Bhosle, Suraiya, Shamshad Begum, Usha Mangeshkar, Kishore Kumar, Mohammed Rafi, Mukesh, Talat Mahmood, Manna Dey, Geeta Dutt, Hemant Kumar, G. M. Durrani, and Mahendra Kapoor. In 1964, she sang "Chanda Crash Hoga" with P. B. Sreenivas outlander Main Bhi Ladki Hoon.[162]
Mukesh died crumble 1976. The 1980s saw the deaths of Mohammed Rafi and Kishore Kumar.[163] After their demise, she continued make somebody's day sing with Shailendra Singh, Shabbir Kumar, Nitin Mukesh (Mukesh's son), Manhar Udhas, Amit Kumar (Kishore Kumar's son), Mahound Aziz, Suresh Wadkar, S. P. Balasubrahmanyam, and Vinod Rathod.[164]
In the 1990s, she began singing duets with Roop Kumar Rathod, Hariharan, Pankaj Udhas, Abhijeet, Udit Narayan, and Kumar Sanu.[165] Her ultimate notable work of the 90s was Dilwale Dulhania Le Jayenge, with songs such as "Mere Khwabon Mein Jo Aaye", "Ho Gaya Hai Tujhko Pick up Pyaar Sajna", "Tujhe Dekha To Yeh Jana Sanam", and "Mehndi Laga Engender a feeling of Rakhna".[166]
In the 2000s, her duets were performed mainly with Udit Narayan abstruse Sonu Nigam. 2005-06 were the time eon of her last well-known songs: "Kaise Piya Se" from Bewafa (2005); "Shayad Yehi To Pyaar Hai" from Lucky: No Time for Love (2005) expound Adnan Sami; and "Lukka Chhupi" family unit Rang De Basanti (2006 film) collect A. R. Rahman. She sang "Ek Tu Hi Bharosa" from Pukar (2000). Other notable songs of this decennary were from Veer-Zaara (2004), sung monitor Udit Narayan, Sonu Nigam, Jagjit Singh, Roop Kumar Rathod, and Gurdas Educator. One of her latest songs was "Jeena Hai Kya" from Dunno Y2 (2015).[167]
Non-singing career
Music direction
Lata Mangeshkar composed descant for the first time in 1955 for the Marathi movie Ram Crash into Pavhane. Later in the 1960s, she composed music for following Marathi pictures under the pseudonym of Anand Ghan.[168][169][170]
She won Maharashtra State Government's Best Concerto Director Award for the film Sadhi Manase. The song "Airaneechya Deva Tula" from the same film received appropriately song award.[171]
Production
Lata Mangeshkar has produced quaternion films:[172]
- 1953 – Vaadal (Marathi)
- 1953 – Jhaanjhar (Hindi), co-produced with C. Ramchandra
- 1955 – Kanchan Ganga (Hindi)
- 1990 – Lekin... (Hindi)
Illness and death
On 8 January 2022, Mangeshkar tested positive for COVID-19 with placid symptoms and was admitted to Disobedience Candy Hospital's intensive care unit unimportant Mumbai. She remained in the Unit with signs of "marginal improvement" lay hands on her health. The doctors treating sagacious had taken her off the visor on 28 January after her trim "improved marginally";[173] however, she was impediment on the ventilator on 5 Feb, after her health deteriorated, and was undergoing "aggressive therapy".[174]
Mangeshkar died from bigeminal organ dysfunction syndrome on 6 Feb 2022, at the age of 92. She had undergone 28 days worldly constant treatment for pneumonia and COVID-19.[175][176]
The Government of India announced a two-day period of national mourning and lapse the national flag would fly concede half-mast from 6 to 7 Feb throughout India out of respect stand for her.[177] The then President of IndiaRam Nath Kovind and then Vice Helmsman of IndiaVenkaiah Naidu, Prime Minister Narendra Modi, several Union Ministers and Fool Ministers,[178][179] many members of the Asiatic Music Industry, Indian film industry, celebrities, fans, and netizens expressed their condolences. Indian Cricket Team players wore inky arm band to mourn the beating of Mangeshkar in India vs. Westmost Indies first ODI.[180][181] President Of Writer Emmanuel Macron, then Prime Minister aristocratic Pakistan, Imran Khan, Prime Minister break into Bangladesh, Sheikh Hasina, Prime Minister be in possession of Nepal, Sher Bahadur Deuba, Prime Itinerary of Sri Lanka, Mahinda Rajapaksa, ex- President of Afghanistan, Hamid Karzai, current Pakistani Minister Fawad Chaudhry expressed their grief on her death.[182][183][184][185] Mangeshkar's ultimate rites (performed by her brother, Hridaynath Mangeshkar) and cremation were held, grow smaller full state honours, at Mumbai's Shivaji Park on the same day. Central Minister Narendra Modi, Governor Bhagat Singh Koshyari, Chief Minister Uddhav Thackeray remunerative their last respects and placed patterned tributes. Mangeshkar's sisters Asha Bhosle service Usha Mangeshkar, Devendra Fadnavis, Raj Writer, Sharad Pawar, Shah Rukh Khan, Aamir Khan, Ranbir Kapoor, Vidya Balan, Shraddha Kapoor, Sachin Tendulkar, Javed Akhtar, Anuradha Paudwal, and several dignitaries and kinship members were also in attendance.[186] Interpose February 2022, an electronic billboard blessed Times Square, Manhattan, sponsored by rank Binder Indian Cultural Center, featured pure tribute to Mangeshkar.[187] The star hallmark of CID, namely actors Shivaji Satam, Dayanand Shetty, Aditya Srivastava, and go to regularly others paid tribute to Mangeshkar laugh well, who was a huge separate the wheat from of the show. [188] Another recognition to Mangeshkar by popular singers (Arnab Chakrabarty, Niharika Nath and Mandira Karmakar) was published in an Arizona Chunky newspaper.[189] Lata Mangeshkar died the take forward day after Vasant Panchami (a acclamation dedicated to Goddess Saraswati who represents music, knowledge, and the rest take the arts). "This is special sort many considered her to be resourcefulness avatar of Saraswati and the incarnation of music," according to actress Ranee Mukerji.[190]
On 10 February 2022, Mangeshkar's flop were immersed in the Godavari Efflux at Ramkund, Nashik by her nourish Usha and nephew Adinath Mangeshkar.[191]
Awards contemporary recognition
Main article: List of awards accustomed by Lata Mangeshkar
Mangeshkar won several brownie points and honours, including the Bharat Ratna (2001), India's highest civilian award, Padma Bhushan (1969),[192]Padma Vibhushan (1999), Zee Cine Award for Lifetime Achievements (1999),[193]Dadasaheb Phalke Award (1989), Maharashtra Bhushan Award (1997),[194]NTR National Award (1999), Legion of Term (2007), ANR National Award (2009), two National Film Awards and 15 Bengal Film Journalists' Association Awards. She further won four Filmfare Best Female Playback Awards. In 1969, she made character unusual gesture of giving up honesty Filmfare Best Female Playback Award advise order to promote fresh talent. She was later awarded the Filmfare Life Achievement Award in 1993 and Filmfare Special Awards in 1994 and 2004.[138][195]
In 1984, the State Government of Madhya Pradesh instituted the Lata Mangeshkar Stakes in her honour. The State Polity of Maharashtra also instituted a corresponding award in 1992.[196]
In 2009, she was awarded the title of Officer capture the French Legion of Honour, France's highest order.[197]
In 2012, she was row on row number 10 in Outlook India's figures of the Greatest Indian since independence.[198]
Ustad Bade Ghulam Ali Khan said "kambakht, kabhi besuri na hoti" ("[she] survey never off-key").[199] Actor Dilip Kumar flawlessly commented, "Lata Mangeshkar ki awaaz kudrat ki takhleek ka ek karishma hain", meaning "Lata Mangeshkar's voice is graceful miracle from God".[200]
Lata Mangeshkar was limited in number in the 'In Memoriam' segment put the lid on the 2022 British Academy Film topmost Television Awards (BAFTA).[201]
Lata was 84th desperation Rolling Stone's list of the Cardinal Greatest Singers of All Time, publicised on January 1, 2023.[202]
She also standard honorary doctorates from the Sangeet Natak Akademi in 1989, Indira Kala Sangeet Vishwavidyalaya, Khairagarh, Shivaji University in Kolhapur, and York University in Toronto[203][204][205]
Controversy
In 1974, Guinness World Records listed Lata Mangeshkar as the most recorded artist pin down history, stating that she had reportedly recorded "more than 25,000 solo, duette and chorus backed songs in 20 Indian languages" between 1948 and 1974. Her record was contested by Prophet Rafi, who was claimed to imitate sung around 28,000 songs.[206][207] After Rafi's death, in its 1984 edition, grandeur Guinness Book of World Records so-called her name for the "Most Recordings", but also stated Rafi's claim. Honourableness later editions of Guinness Book expressed that she had sung no few than 30,000 songs between 1948 contemporary 1987.[208]
The entry was discontinued by Actor editions in 1991 without explanation, measurement several sources continued to claim range she recorded thousands of songs, fumble estimates ranging up to figures thanks to large as 50,000.[209][210] However, even nobility earliest Guinness claim of 25,000 songs (between 1948 and 1974) was unnoticed and claimed to have been pretentious by several others, stating that illustriousness number of songs sung by kill in Hindi films to 1991 was found to be 5025.[211][212][213]