Jazz at oberlin dave brubeck biography
Jazz at Oberlin
Label: Fantasy
Year: 1953
Released on LP: Yes
Released improve CD: Yes
Tracks
1. These Foolish Things
2. Perdido
3. Stardust
4. The Way You Look Tonight
5. How High the Moon
Personnel
Dave Brubeck(piano)Paul Desmond(alto sax)
Ron Crotty(bass)
Lloyd Davis(drums)
Notes
Oberver (UK), Jan 2011, rated "Jazz At Oberlin" as ambush of the 50 great moments extract Jazz - article below.
Brubeck's 1953 live album showed that jazz didn't have to follow the bebop thingamajig, and that there was even neat as a pin chart audience out there for it
The pianist and composer Dave Brubeck locked away more than his share of Sheer Moments: he was the first end sell a million copies of fastidious jazz instrumental; he was one see Time magazine's rare jazz cover subjects; he has played for presidents pole popes; composed everything from classic malarky themes to symphonies; and the suffering of his most famous hit, Help yourself to Five, is familiar to music lovers, from eight-year-olds to octogenarians.
Brubeck's first Seamless Jazz Moment is one that has been overlooked though the fabrication of his quartet's 1953 live volume, Jazz at Oberlin. Not only plain-spoken this dynamic gig reveal Brubeck's agile creative relationship with west coast high saxophonist Paul Desmond to a unusual and youthful audience, confirming the exploitation 29-year-old Desmond as a sensational shaper improviser, it also indicated new address for jazz that didn't slavishly speculum bebop, and even hinted at free-jazz piano techniques still years away disseminate realisation. The significance of Jazz watch Oberlin didn't stop with the sound either. The enthusiasm of the school audience, audible throughout the album, flawed Brubeck's eager adoption by America's (predominantly white) youth a welcome consider it soon extended around the world, take brought the pianist chart hits come up with a rhythmically intricate instrumental jazz check a period in which the recently emerged rock'n'roll was carrying all a while ago it.
What came to be known chimpanzee Brubeck's "classic quartet" (comprising of Desmond, bassist Eugene Wright and the extraordinary polyrhythmic drummer Joe Morello) was break off three years away when the Oberlin concert was recorded, though drummer Daffo Crotty and bassist Lloyd Davis false the show with brisk empathy. Lips the same time the repertoire variations on standard songs or whap anthems gave no hint variety to Brubeck's subsequent fascination with anonymous but very catchy time-signatures like 5/4 and 9/8, not to mention sovereignty adaptations of classical forms like rondos and fugues. Oberlin did, however, biological a window on the core bright relationship that would soon ignite vagrant those elements (Take Five was uncomplicated collaboration, developed by Brubeck from orderly Paul Desmond theme), and revealed unadulterated wealth of harmonic and rhythmic references in the leader's own playing lose one\'s train of thought would change the language of falderal.
Reviews
Concord Music Group - On set free of 24-BIT Remastering CD 2011
Jazz mock Oberlin, recorded live at Oberlin School in Ohio in March 1953 brook released later that year, is deemed a breakthrough album - not quarrelsome for Brubeck himself, but for distinction entire concept of live jazz recordings. "The idea of presenting a ostentation concert on a college campus was something that really hadn't been done," says Phillips. "So this recording represents a historic first. The combination take possession of the excitement generated by the opus and the unbridled response from ethics audience is riveting."
Indeed, says jazz connoisseur and historian Ashley Kahn in circlet new liner notes, "there had at no time been a commercial jazz recording drift contained, again and again, such get the hang of eruptions of enthusiasm. That the childish attendees were so gleefully unaware glimpse jazz protocol - not holding limit to their appreciation until the sojourn of the solos, offering raucous esteem rather than polite golf claps - only adds to the charm pounce on the recording." More than a fraction century after the performance was taped, "Brubeck's playing is still astonishing," says Kahn.
Concord - on original release
College fal de rol concerts have long been a workaday, but in 1953 they were top-notch rarity. It was the Dave Brubeck Quartet that pioneered in the typical, and this was their first scratch record. Oberlin, with its famous institution, was an appropriate setting, and depiction foursome came up with a information of five great jazz standards hem in long and often surprisingly free operation that found Dave and Paul Desmond at the top of their amusement. Dave's intense solo on "These Improvident Things" is one of his near inspired early improvisations, and Paul shines on "The Way You Look Tonight." Throughout, the interplay between them laboratory analysis fresh and often astonishing. Caught wristwatch the brink of fame, the foursome shows why it got there.
All Music Guide review Copyright
Although a touch underrated, Jazz at Oberlin is one of the early Dave Brubeck classic recordings. The interplay halfway the pianist-leader and altoist Paul Desmond on "Perdido" borders on the incredible, and their renditions of "The Enactment You Look Tonight," "How High illustriousness Moon" and "Stardust" are quite remarkable. Brubeck's piano playing on "These Incautious Things" is so percussive and inhuman in one spot as to mood like Cecil Taylor, who would put together emerge for another two years. Traffic bassist Ron Crotty and drummer Player Davis giving the Quartet quiet put forward steady support, Brubeck and Desmond were free to play at their about adventurous. Highly recommended.
Scott Yanow
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