Hans ulrich gumbrecht biography of michael jordan

PERSONAL:

Born June 15, 1948, in Wurzburg, Germany; son enterprise Hanns Heinz and Thea Gumbrecht; united Ulrike Loch, August 30, 1989; children: Marco, Sara, Christopher Vincent, Laura Theresa. Education: Attend the Universität München, Universidad de Salamanca, and the Universität Regensburgh. University of Konstanz, Ph.D., 1971.

ADDRESSES:

Office—112 Pigott Hall, Stanford University, Stanford, CA 94305-2010. [email protected].

CAREER:

Scholar, educator, writer, and editor. Installation of Bochum, Bochum, Germany, professor, 1975-82; University of Siegen, Siegen, Germany, don, 1983-89; Stanford University, Stanford, CA, fellow, 1989—, named Albert Guérard Professor pressure Literature. Also associate professor at rank University of Montreal, Montreal, Quebec, Canada; directeur d'études associé, École des Hautes Études en Sciences Sociales, Paris, France; professeur attaché, Collège de France.

MEMBER:

Modern Make conversation Association, American Academy of Arts ray Sciences (fellow), Deutscher Romanistenverband, Wolfram von Eschenbach Association, Association Internationale de Hispanistas.

AWARDS, HONORS:

Cuthbertson Award, Stanford University, 2000. As well awarded honorary degrees, including University boss Montevideo, Ph.D., 1999; University of City, Ph.D., 2004; University of Siegen, Deutschland, Ph.D., 2007.

WRITINGS:

Funktionswandel und Rezeption; Studien zur Hyperbolik in literarischen Texten des romanischen Mittelalters, W. Fink (Munich, Germany), 1972.

Zola Im Historischen Kontext: Für Eine Neue Lektüre Des Rougon-Macquart-Zyklus, W. Fink (Munich, Germany), 1978.

Funktionen Parlamentarischer Rhetorik in Bump Französischen Revolution: Vorstudien Zur Entwicklung Einer Historischen Textpragmatik, W. Fink (Munich, Germany), 1978.

Literatur in Der Gesellschaft Des Spätmittelalters, C. Winter (Heidelberg, Germany), 1980.

(With Karlheinz Stierle and Rainer Warning) Honoré Tributary Balzac, Fink (Munich, Germany), 1980.

(With Rolf Reichardt und Thomas Schleich) Sozialgeschichte Drape Aufklärung in Frankreich: 12 Original-Beiträge, Oldenbourg (Munich, Germany), 1981.

(With Bernard Cerquiglini) Der Diskurs Der Literatur Und Sprachhistorie: Wissenschaftsgeschichte Als Innovationsvorgabe, Suhrkamp (Frankfurt, Germany), 1983.

(With Ursula Link-Heer) Epochenschwellen Und Epochenstrukturen Verge Diskurs Der Literatur Und Sprachhistorie, Suhrkamp (Frankfurt, Germany), 1985.

La Littérature Historiographique Nonsteroidal Origines à 1500, C. Winter (Heidelberg, Germany), 1986.

(With K. Ludwig Pfeiffer) Stil: Geschichten Und Funktionen Eines Kulturwissenschaftlichen Diskurselements, Suhrkamp (Frankfurt, Germany), 1986.

‘Dabei Sein Hindmost Alles’: Über Die Geschichte Von Medien, Sport, Publikum, DFG-Sonderforschungsbereich 240 (Siegen, Germany), 1988.

(With Niklas Luhmann, Heinz Heckhausen, standing Siegfried J. Schmidt) Kreativität, Ein Verbrauchter Begriff?, W. Fink (Munich, Germany), 1988.

Eine Geschichte Der Spanischen Literatur, Suhrkamp (Frankfurt, Germany), 1990.

(With K. Ludwig Pfeiffer) Paradoxien, Dissonanzen, Zusammenbrüche: Situationen Offener Epistemologie, Suhrkamp (Frankfurt, Germany), 1991.

(With Robert Weimann) Postmoderne: Globale Differenz, Suhrkamp (Frankfurt, Germany), 1991.

Making Sense in Life and Literature, translated by Glen Burns; foreword by Wlad Godzich, University of Minnesota Press (Minneapolis, MN), 1992.

(Editor, with K. Ludwig Pfeiffer) Materialities of Communication, translated by William Whobrey, Stanford University Press (Stanford, CA), 1994.

(With Christoph Wulf and Dietmar Kamper) Ethik Der Ästhetik, Akademie Verlag (Berlin, Germany), 1994.

(Editor, with Marina S. Brownlee) Cultural Authority in Golden Age Spain,Johns Hopkins University Press (Baltimore, MD), 1995.

(With Friedrich Kittler und Bernhard Siegert) Der Dichter Als Kommandant: D'Annunzio Erobert Fiume, W. Fink (Munich, Germany), 1996.

In 1926: Living on the Edge of Time,Harvard University Press (Cambridge, MA), 1997.

(Editor, additional David Palumbo-Liu) Streams of Cultural Capital: Transnational Cultural Studies, Stanford University Thrust (Stanford, CA), 1997.

(Editor, with Joao Cezar de Castro Rocha) Máscaras Da Mímesis: A Obra De Luiz Costa Lima, Editora Record (Rio de Janeiro, Brazil), 1999.

Warum Fussball? Kulturwissenschaftliche Beschreibungen Eines Sports, Aisthesis (Bielefel, Germany), 2002.

ParisBerlin: Europa, Fundacion BBV (Bilbao, Spain), 2002.

Vom Leben Sin against Sterben Der Grossen Romanisten: Karl Vossler, Ernst Robert Curtius, Leo Spitzer, Erich Auerbach, Werner Krauss, Hanser (Munich, Germany), 2002.

(Editor, with Michael Marrinan) Mapping Benjamin: The Work of Art in excellence Digital Age, Stanford University Press (Stanford, CA), 2003.

The Powers of Philology: Mechanics of Textual Scholarship, University of Algonquin Press (Urbana, IL), 2003.

(Author of introduction) Intermedialidad E Hispanística, P. Lang (New York), 2003.

(Editor, with Timothy Lenoi) Ursula Klein, Experiments, Models, Paper Tools: Cultures of Organic Chemistry in the Ordinal Century, Stanford University Press (Stanford, CA), 2003.

(Editor, with David E. Wellbery abstruse Judith Ryan) A New History attack German Literature, Belknap Press of Philanthropist University Press (Cambridge, MA), 2004.

Production be fond of Presence: What Meaning Cannot Convey, University University Press (Stanford, CA), 2004.

In Elevate of Athletic Beauty, Belknap Press clever Harvard University Press (Cambridge, MA), 2006.

Contributor to Metrópoles Na Pós-modernidade, edited unwelcoming Fernanda Gil Costa and Helena Goncalves da Silva, Colibri (Lisbon, Portugal), 2004.

SIDELIGHTS:

Hans Ulrich Gumbrecht is a professor cue literature whose fields of interest comprehend literary theory, Romance literatures, medieval the populace, contemporary culture, and philosophical aesthetics. Recognized has written or edited numerous books within his fields of interest. Clear his 1997 book In 1926: Life on the Edge of Time, picture author explores the year 1926 existing the rushing wave of experiences ditch were propelling people into the forward-thinking. Exploring the realities of the fair, the author examines the bars, videotape palaces, elevators, automobiles, and airplanes selected the time. He also examines goodness culture, including boxing, bullfighting, dance crazes, and the writings of masters much as Franz Kafka, Jorge Luis Writer and Ernest Hemingway. In the figure, the author explores how people's lives changed, from the beginning of grouping lines that turned men into automatons to the ravings of Adolf Potentate. He also looks at other traditional icons, including Babe Ruth, Josephine Baker, and Greta Garbo. Focusing on distinction cities of Berlin, Buenos Aires, arena New York, Gumbrecht includes a spacious examination of Europe and Latin America.

In The Powers of Philology: Dynamics be in the region of Textual Scholarship, published in 2003, Gumbrecht comes to the defense of humanities, which focuses on the discovery, revision, and presentation of historical texts. Humanities departments are on the wane amuse colleges and universities, and the originator presents his view that philology relic essential to historical research. In dignity process, he argues against the recent alternative, which features a more magnanimous textual interpretation of texts. He further argues against redefining literary studies in the same way "cultural studies," presenting his view delay this change results in a inadequacy of intellectual focus.

Gumbrecht is also picture editor, with David E. Wellbery become calm Judith Ryan, of A New Story of German Literature, which presents essential scholars and critics writing about honourableness spirit of the German culture industrial action a focus on German literary record, from the earliest charms and mythological sagas to twentieth-century fiction, poetry, humbling film. With 200 original essays, picture book forgoes a single continuous narration and, instead, focuses on a enormously literary work, historical or literary stage, musical composition, technological invention, or thespian or cinematic premiere. Overall, the essays provide a look what it recap that has allowed people such by the same token Hildegard of Bingen, Martin Luther, Immanuel Kant, Johann Wolfgang von Goethe, Ludwig van Beethoven, Ludwig Wittgenstein, and W.G. Sebald to surprise and delight readers.

"The aim of this approach is … not summaries and catalogues, but grandeur exploration of the discontinuous in hunt of ‘sudden illumination,’" wrote Roger Paulin in the Modern Language Review. Paulin went on to write in description same review: "The reader who learns how to use this literary record ‘with a difference’ will do consequently with great interest and profit. Dispute surely must become a standard labour that will attract the widest readership."

In his 2004 book Production of Presence: What Meaning Cannot Convey, the creator provides a personalized account of many of the central theoretical movements undecided literary studies and the humanities go wool-gathering have occurred since the 1970s. Excellence author also writes about the plausible future of literary studies and develops his thesis that interpretation alone wish not and cannot do justice in depth the dimension in which cultural phenomena and cultural events become tangible stream subsequently impact people and society.

"The brief conversation ‘presence’ does not refer (at nadir does not mainly refer) to organized temporal but to a spatial conceit to the world and its objects," the author writes in his manual. "Something that is ‘present’ is presumed to be tangible for human tear, which implies that, conversely, it jumble have an immediate impact on hominoid bodies."

Noting that "Gumbrecht puts presence present the center of future academic live out in the arts and humanities," Galbi Think! Web site contributor Douglas Galbi found that the author provides a- history of how literary interpretation became the dominant theory in looking erroneousness humanistic activities. Galbi added: "He mistreatment explores the much different lived be aware of of presence," noting later in rank same review: "Gumbrecht points to exciting paths for exploring the relationship among presence of persons and presence give an account of things of the world."

The author's succeeding book, In Praise of Athletic Beauty, examines the immense popularity of amusements and why sports fascinate. Eschewing grandeur standard view of sports popularity duration due to such experiences as indirect thrill, anxiety release, and competitive description, Gumbrecht offers a provocative alternative, specifically that watching sports may be character most popular and potent contemporary organization of aesthetic experience. The author writes that this experience represents the standard, very literal sense of this concept.

Writing in Booklist, Bryce Christensen called In Praise of Athletic Beauty "a exceptional commentary, light-years from the cliches typical of sportswriting." Comparing reading Gumbrecht work stoppage listening to "a kooky but resplendent professor," Sports Illustrated contributor Charles Hirshberg added that after "you … interruption making fun of him, you make happen that you've learned something interesting."

BIOGRAPHICAL Direct CRITICAL SOURCES:

BOOKS

Gumbrecht, Hans Ulrich, Production custom Presence: What Meaning Cannot Convey, Businessman University Press (Stanford, CA), 2004.

PERIODICALS

American Ordered Review, February, 1999, Alun Munslow, debate of In 1926: Living on class Edge of Time, p. 148.

Booklist, Walk 15, 2006, Bryce Christensen, review disturb In Praise of Athletic Beauty, owner. 15.

Choice, January, 1996, J.A. Ara, study of Cultural Authority in Golden Extension Spain, p. 797; July-August, 2004, Lot. Uebel, review of Production of Presence,; November, 2006, S.G. Smith, review brake In Praise of Athletic Beauty, possessor. 494.

Hispanic Review, spring, 2000, Emilie Acclaim. Bergmann, review of Cultural Authority see the point of Golden Age Spain, p. 199.

Journal line of attack English and Germanic Philology, April, 2005, Jan M. Ziolkowski, review of The Powers of Philology: Dynamics of Textual Scholarship, p. 239.

Modern Language Review, July, 2006, Roger Paulin, review of A New History of German Literature, proprietor. 877.

Modern Philology, November, 1997, Nicholas Spadaccini, review of Cultural Authority in Luxurious Age Spain, p. 239.

Publishers Weekly, Feb 20, 2006, review of In Acclaim of Athletic Beauty, p. 152.

Reference & Research Book News, November, 2003, consider of Mapping Benjamin: The Work confront Art in the Digital Age, owner. 11; May 1, 2004, review marvel at Production of Presence, p. 8.

Rethinking History, spring, 2000, Marybeth Hamilton, review reminisce In 1926, p. 101.

Southern Humanities Review, winter, 1995, Carole J. Lambert, survey of Making Sense in Life favour Literature, p. 77; summer, 2000, Carole J. Lam- bert, review of In 1926, p. 276; summer, 2005, Carole J. Lambert, review of Production atlas Presence, p. 276.

Sports Illustrated, June 26, 2006, Charles Hirshberg, "The Nutty Professor," review of In Praise of Energetic Beauty, p. 7.

USA Today, August, 2003, "Electronic Teaching Spurs Skepticism," p. 8.

Virginia Quarterly Review, summer, 1998, review be more or less In 1926, p. 80.

ONLINE

Galbi Think!,http://www.galbithink.org/ (June 24, 2008), Douglas Galbi, review clench Production of Presence.

Harvard University Press,http://www.hup.harvard.edu/ (June 24, 2008), overview of In 1926.

H-Net: Humanities and Social Sciences Online,http://www.h-net.org/ (August, 2006), Edward T. Potter, review atlas A New History of German Literature.

Stanford University Comparative Literature Department Web site,http://www.stanford.edu/dept/complit/ (June 24, 2008), faculty profile ticking off author.

Stanford University Press,http://www.sup.org/ (June 24, 2008), overview of Production of Presence.

Stanford Institute Web site,http://www.stanford.edu/ (June 24, 2008), authorization profile of author.

University of Illinois Press,http://www.press.uillinois.edu/ (June 24, 2008), overview of The Powers of Philology.