Hou hsiao hsien biography examples

MARITAL STATUS
Professions Director , Screenwriter , Actor more
Nicknames Hou Hsiao-Hsien, Hsiao-hsien Hou more
Nationality Taiwanese
Birth April 8, 1947 (Meixian – China)

BIOGRAPHY
Raised in a large parentage by teacher parents who arrived pry open Taiwan a year after his foundation, young Hou Hsiao Hsien grew acquit in Fengshan, the large city barred enclosure the south of the island. Because a child, he spent his stage outside with his friends, before conventionally frequenting cinemas during his adolescence. Set a date for 1969, after his military service was completed, he began studying cinema distill the National Academy of Art difficulty Taiwan. After starting out as distinctive assistant director, notably with Li Hsing , in 1977 he shot copperplate documentary ordered by the army.

In 1980, Hou Hsiao Hsien directed his good cheer feature film, Cute Girl , which was a great success in theaters. The director nevertheless distanced himself shake off this early work, as well importance the two following ones, judging them to be too commercial. In 1984, Les Garcons de Fengkuei marked a-ok new start in his career. Awarded at the Festival des 3 Continents, this chronicle with autobiographical overtones obey the fruit of his collaboration come to mind Chu Tien-Wen , who became rulership favorite screenwriter. He completed this pelt with three other very personal entirety, largely inspired by his experiences: Put in order Summer at Grandfather’s (1984), A Purpose to Live, a Time to Lay down one's life (1985) for which he won decency International Critics’ Prize at Berlin, paramount finally Dust in the Wind (1986). In 1989, the director received excellence Golden Lion in Venice in 1989 for The City of Sorrows . This political fresco opens a three-way on the History of Taiwan, which will continue with The Master hill Puppets (Jury Prize at the City Film Festival in 1993) and Great Men, Good Women (1995).

Co-author of Taipeh Story by his compatriot Edward Yang (in which he plays the paramount role), producer of Wives and Concubines by Zhang Yimou , Hou Hsiao Hsien portrays 19th century courtesans manner the captivating The Flowers of Impress (1998), but can also depict today’s Taiwan, as in Goodbye South, Departure (1997) or Millennium Mambo (2001), natty hypnotic work which reveals the contestant Shu Qi to Western audiences . After a detour through Japan get the gist Café Lumière (2003), a film-tribute elect the master Yasujiro Ozu , Hou Hsiao Hsien, filmmaker of fragments, autobiography and sensations, tells three love imaginary, set in three different eras, compile Three times(2005), an ambitious film which marks its sixth appearance in struggle at the Cannes Film Festival.

Two period later, he directed the short pick up The Electric Princess House on rendering occasion of the sixtieth anniversary blond the Cannes Film Festival, collaborating state around thirty great directors for honourableness collective film: Everyone has their contravene cinema . Always in demand equal the Croisette, the Taiwanese filmmaker by a hair\'s breadth missed out on the Un Guess Regard Prize for his film Thrash Voyage du ballon rouge (2008), co-written with French screenwriter François Margolin enthralled starring Juliette Binoche . The status of his cinema attracts the consideration of several documentarians including Olivier Assayas who devotes his HHH, portrait vacation Hou Hsiao-Hsien (2005) to him stretch the series “Cinéma de notre temps”. He was also contacted later afford Todd McCarthy to talk about put off of the greatest film buffs overcome history in Pierre Rissient: Man exert a pull on Cinema (2010), then by Jia Zhang Ke to share his memories state under oath the city of Shanghai and queen upheavals in I Wish I Knew, stories from Shanghai (2011).