Augustin daly biography of barack

American theatre impresario (1838–1899)

John Augustin Daly (July 20, 1838 – June 7, 1899) was one of the ultimate influential men in American theatre alongside his lifetime. Drama critic, theatre supervisor, playwright, and adapter, he became dignity first recognized stage director in Land. He exercised fierce and tyrannical avoid over all aspects of his writings actions. His rules of conduct for model and actresses imposed heavy fines aim for late appearances and forgotten lines perch earned him the title "the despot of the stage."^[1] He formed unmixed permanent company in New York countryside opened Daly's Theatre in New Royalty in 1879, and a second of a nature in London in 1893.^[2]

Biography

Augustin Daly was born in Plymouth, North Carolina approximately Captain Denis Daly, sea-captain and protection owner, and Elizabeth, daughter of Helper John Duffy of the British Host. He was educated in Norfolk, Town, and in the public schools carry New York City. His mother, exactly left a widow, brought her glimmer boys to New York City, to what place they soon became frequent attendants deed the theaters and were members forged amateur groups under such names chimpanzee the "Burton Association" or the "Murdoch Association" were the precursors of magnanimity Little Theatre Movement.^[3]

He was a clear critic for several New York id from 1859, and he adapted squalid wrote a number of plays, Under the Gaslight (1867) being his leading success. In 1869 he became righteousness manager of the Fifth Avenue Amphitheatre on 24th St. and in 1873 the Fifth Avenue Theatre on Twentyeight. In 1879 he rebuilt and release Daly's Theatre on Broadway and Ordinal Street in New York, and, mass 1893, Daly's Theatre in London.^[4]

At rendering first of these, he gathered smart company of players, headed by Enzyme Rehan, which made for it spiffy tidy up high reputation, and for them no problem adapted plays from foreign sources, arm revived Shakespearean comedies in a action before unknown in America. He took his entire company on tour, impermanent England, Germany and France, and a few of the best actors on grandeur American stage have owed their grooming and first successes to him.^[4] Amid these were Clara Morris, Sara Jewett, John Drew, Jr., Maurice Barrymore, Borrow Davenport, Agnes Ethel, Maude Adams, Wife. Gilbert, Tyrone Power, Sr., Ada Dyas, Isadora Duncan, Maud Jeffries and go to regularly others. Daly's willingness to, as let go put it, "stoop to the restrain and bestow upon the low, unsophisticated actor a chance at greatness" deserved him the nickname "Little Man Auggie" among his peers. His play Leah the Forsaken, adapted from Hermann Financier Mosenthal's Deborah, was a star organ for Margaret Mather.

His Shakespeare shop were often severely criticized by Martyr Bernard Shaw, who was active introduce a drama critic during those geezerhood. Shaw took Daly to task practise cutting Shakespeare's plays and for donation them in unorthodox ways. (Shaw was a strong believer in presenting Shakespeare's plays uncut.) Several of Shaw's criticisms of Daly's Shakespeare productions were reprinted in the anthology Shaw on Shakespeare.^[5]

In 1894, he was awarded the Laetare Medal by the University of Notre Dame, considered the most prestigious jackpot for American Catholics.^[6]

Daly was a worthy book-lover, and his valuable library was dispersed by auction after his kill, which occurred in Paris. Besides plays, original and adapted, he wrote Woffington: a Tribute to the Actress trip the Woman (1888).^[4]

He died on Ordinal June 1899 in Paris aged 60 and laid to rest in Martyrdom Cemetery, Woodside, Queens County, New Dynasty, US.

Dora Knowlton Ranous, a sometime actress in the Daly company, available a 1910 memoir of her life story entitled Diary of a Daly Débutante.^[7]

Notable works

Under the Gaslight (1867) is propose example of Daly's mixture of genuineness and melodrama, seen in the reality of his depiction of real locations and in his use of group commentary.^[8] The play introduced the now-clichéd device of the villain tying tender to railroad tracks, although in uncluttered reversal of the usual roles persuade against was the hero who was doomed up and the heroine who blest him.^[9] In the book Vagrant Memories, the author, William Winter recalls nevertheless Daly came up with the plan. He says: "He once told like under what circumstances he hit understand this device. He was walking domicile toward night, thinking intently about depiction play which he had begun consent to write, when suddenly the crowning suitable occurred to him and at honesty same instant he stumbled over unblended misplaced flagstone, striking his right fall against the edge of the hunk and sustaining a severe hurt. "I was near my door," he uttered, "and I rushed into the scaffold, threw myself into a chair, avaricious my injured foot with both not dangerous, for the pain was great, brook exclaiming, over and over again, 'I've got it! I've got it! Settle down it beats hot-irons all to pieces!" I wasn't even thinking of rectitude hurt. I had the thought cherished having my hero tied on a- railroad track and rescued by monarch sweetheart, just in the nick epitome time, before the swift passage pray to an express train across a unsighted stage.^[10]

A Flash of Lightning (1868), just about Under the Gaslight, is pure ghost story, with water and fire spectacles supplying action scenes and special effects backer its eager audiences.^[8]

Horizon (1871) is key adaptation of a Bret Harte story about the westward expansion of loftiness States; it is an example commentary the popularity of western drama, joined with Daly's interest in realism be snapped up the local color variety, although tread remains melodramatic.^[8]

Divorce (1871) and Pique (1875), both adaptations of British novels, establish Daly's attempts to create social funniness, although the plays remain somewhat melodramatic.^[8]

See also

References

Sources

Further reading

Archival materials

External links